
by lucky Pineapple Films
❤️ CinematNIC Music ❤️ CinematNIC Films ❤️ The original CinematNIC since 2005. 👑

Music Publisher
CinematNIC Music
BMI IPI #: 894686856
Publisher credits on BMI Songview
Composer
Nicole Delarce Russin-McFarland
BMI IPI #: 894443989
Solo credits on BMI Songview
Composing epic scores that blend the timeless beauty of orchestras with the boldness of modern sound, Nicole Russin-McFarland creates musical worlds that pull audiences into the heart of every story. When she is not scoring or working on other genres such as dance music, she is often starring in the films she brings to life—blurring the line between composer and filmmaker.
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CinematNIC Films
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Roswell Directive #802701: Make Movies and Music
Some Earthlings are well connected. None like Nicole Russin-McFarland have friends in high places beyond the atmosphere: the famous Martians of outer space science fiction lore as business partners slash BFFs!Setting foot on campus at the University of Texas at Austin in 2005, a young woman named Nicole befriended the Roswell aliens she sketched in her notebook as she sat by the clock tower. She vowed they would someday start a film studio together. They journaled dreams of script ideas, books, and drawings from Wonderland. Over diet soda and fries, sometimes a burrito, the pals collaborated together until she graduated and have ever since in the world of imagination. The rest is history.That film company instantly that day became Lucky Pineapple Films and its subsidiaries, CinematNIC and Animationsaurus, as planned in secret alien discussions.ALIEN NAMES, so far known: Eekwokwiggilywop (flying saucer leader), Sunuwammywopwop (second in command), BobAll classified files regarding future blockbusters remain top secret. ✨BUSINESS DEAL REQUIREMENTS: Roswell aliens must have speaking roles in some films, only name brand peanut butter may be offered by Earthlings; aliens must be given credit as co-founders in all publicityEND CLASSIFIED DOCUMENT TRANSCRIPT, September 6, 2005, Austin, Texas
Although our co-owners hail from outer space, nothing is alien-ating about our work. We aim to inspire with movies that are conversation pieces not because of controversy but because they bring everyone together. We love treating youth as little intellectuals deserving of real plots and artistry. Our films from now on will be disability safe for viewers with sensory issues such as autism, epilepsy, migraines, and motion sickness by using better animation and, if live action, camera techniques. Since 2025, our published books come in regular and large print accessible formats.
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Education

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A View from the Other Side of the Looking Glass
All of my life, I’ve been in love with the concept of Wonderland, a magical place where ideas aren’t just made, they’re interacted with. To Lewis Carroll, it was a place visited through the dreamlands of Oxford University. J.M. Barrie found it as Neverland. Mr. Barrie's friend, Robert Louis Stevenson, discovered it as Treasure Island. Almost every literary work or movie you love has a form of it.The very first Portal to Wonderland I ever found was my great aunt and uncle’s house in Urbana, Illinois, where I spent countless days with the biggest smile on my face. Country music blaring. Arts and crafts, music, and gentle encouragement from my great aunt. The best home cooking I’ve ever had. Everyday errands that somehow felt like adventures. I made up stories on the spot. Brought my flute over and wrote ridiculous little songs. Listened to tales of life many decades before I was born, from a time that felt like magic. I never wanted to leave.Later on, I found Wonderland again, at a secret location in Manhattan, the summer before ninth grade. It’s still a Portal today, whenever I return to NYC. Then again, at 18, on the campus of the University of Texas at Austin: lunch or snacks, a stack of schoolbooks, and a notebook full of messy musical thoughts and cinematic dreams.I was 14 when I watched The Fellowship of the Ring theatrically and returned home with my imagination on fire, sketching the mental notes of what would become my first major blockbuster dream project, The Time Machine. Just like a then unknown Kiwi man and his life partner who said, “Why can’t you make Hollywood movies in the “middle (Earth) of nowhere? Who says you have to live and breathe LA to direct the biggest movies of all time?” Before, I thought only established Hollywood royalty could make movies. The Lord of the Rings trilogy was what this Midwestern gal in Wonderland needed to see to learn, ANYONE CAN DO IT. DREAM IT, AND IT SHALL HAPPEN.I remember that version of me. I still am her. Planner. Dreamer. Composer. Musician. Director. Actress. A young girl’s truth, directed and scored by yours truly, co-written by who I was, and who I’m still becoming. Because you have to be completely fearless to immerse yourself in Wonderland.My days now are filled with soft things: pet cuddles, cooking, donating to animal shelters, time spent in nature because I have to be outdoors to exist, and reading public domain books and poetry. I compose music sitting on the floor of my bedroom, outside in the grass, or anywhere I can feel a little magic, like near beaches, gardens, deserts, and tropical skies. Places with a view, or a feeling.I don’t care about impressing everyone anymore. I care about creating something true. And somewhere out there, I hope there are people like you. People who still believe in quiet magic, slow beauty, and stories told with soul. Come journey to Wonderland with me in my movies, music, and all that I do. Because I build this dreamland of mine for you.
xoxo,
Nic
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Some of my Press
- Girlhood is the biggest winner at the box office this year • Business Insider • Kirsten Acuna
- 20 Years of Mean Girls: A Lasting Pop Culture Phenomenon • Fizzy Mag • Ana Beatriz Reitz
- How Apple’s New Discovery Station Could Help You Find Fresh Music • Lifewire • Sascha Brodsky
- Netflix And Disney Shouldn’t Take Subscribers For Granted, Like Old Cable • International Business Times • Panos Mourdoukoutas
- Does the ‘Bond Girl’ need a reboot? • The Daily Express (UK) • Portia Jones
- An Interview with Nicole Russin-McFarland (and Christopher Andrew Norris) • The Film Scorer
- A deep-dive look into the Christmas classic ‘Baby, It’s Cold Outside’ • Fox News • Cortney Moore
- How to Become an Actor in Texas • Backstage • Geri Mileva
- How Has the Unstopped Rise of Streaming Platforms Impacted Film? We Asked the Experts • Esquire UK • Tom Ward
- Looking Through Wes Anderson’s Lens • News Nuggets on LinkedIn
- Breaking Into Showbiz for Your Second Act • Next Avenue (Twin Cities PBS) • Lin Grensing-Pophal
- Male allies in business: why women need them • The Telegraph • Helena Pozniak
- Meghan Markle could command $5 million per Hollywood film if she returns to acting • The Mirror • Mollie Quirk
- How Spotify Defines Music Genres • Kill the DJ • Clara Alex
- Is AI the future of classical music? • Polyphony Magazine • Melody Chan
- What’s behind the Gen Z television gap? • Canvas8
- TikTok is changing the film industry by putting the power back in the hands of fans • Why Now • Rachael Davies
- An Interview with Nicole Russin-McFarland, Score Composer of The Pact • (re)Search My Trash
Guest Journalism
"We all have our time machines, don't we? Those that take us back are memories, and those that carry us forward are dreams."
- H.G. Wells


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