People think all 13 year old girls write in their diaries is poetry about cute boys. My notebooks were always filled with concepts for film music and the hit movies I would direct around them. Silly, serious, grown up, forever young, comedic, lesson telling. Everything took place in the dream world, Wonderland, connected to other tales in tiny puzzle pieces.When I was 14, seeing a Kiwi couple from outside of the mainstream Hollywood system make a little known film series called The Lord of the Rings made me believe that I could come from anywhere, live anywhere, and do what they did when I was older. My career loves of my life are James Cameron, Peter Jackson, and the one and only Hans Zimmer. Mr. Zimmer's talent is widely documented. It's what he stands for to me with building his brands and his very Pixar's Ratatouille style approachable persona that anyone can make music that made younger me see he is one of the coolest people ever in Hollywood.Age 18. I "co-founded" my film company, Lucky Pineapple Films, and its subsidiaries, CinematNIC and Animationsaurus!, with The Roswell Aliens on the University of Texas at Austin campus. The goal was to be non-ALIENating for all of our projects. To inspire in what people read, watched, and did. Easier said than done. I started with selling things like glass cutting boards. What were The Roswell Aliens doing outside of New Mexico, you ask? They really love Tex-Mex.I was that teen girl then twentysomething always asking everyone who ever made a major film or who worked for someone who did how to do it. Going around NYC and everywhere, I checked out the filming locations from past cinematic works, demoed hair/makeup/wardrobe ideas, scouted precise filming locations and imagined visuals there so my own big time films would someday be ready, went out of my way to meet people so I could start figuring out who would in time work with me for FX teams and more, and whatever I was told to start doing because one day, you'll be too known to get away with your film research.Age 34. Got my first music distribution deal. After that, started getting my film scoring music placed in work from people who weren't myself.My filmmaking has gone from no budget movies I self animated to no budget works made with the collaboration of others to, fingers crossed, my first ever real budgeted productions.I am always writing the screenplay that is my life story.

The University of Texas at Austin
Texas Exes: Life Member '07 🤠🤘
Major: government
Minors: history, Spanish, journalism
Stan Winston School
wig making, makeup, digital art & illustration, practical FX

CinematNIC Music

Music Publisher:
CinematNIC Music
BMI IPI #: 894686856
Publisher credits on BMI Songview

Composer:
Nicole Delarce Russin-McFarland
BMI IPI #: 894443989
Solo credits on BMI Songview

Our labels:
CinematNIC Music
Lucky Pineapple Films
Animationsaurus!

Music distributed by:
RouteNote

Cinematnic Films

CinematNICĀ® Films serves as the more personal subsidary within Lucky Pineapple Films for Nicole Russin-McFarland’s work. Today, the film company is working on future live action releases, jumping from no budget indie fare to our first larger budgeted projects within science fiction.

Films in the oven

Peter Pan and the Adventures of Dreams
The Time Machine (website coming soon)
Lady Molly of Scotland Yard
Song of the Underworld (website Coming soon)

Sheet Music

An Taistealai Ama LLC is the sheet music publishing arm of CinematNICĀ® Music, presenting expressive piano arrangements and original works that translate cinematic emotion and contemporary hit music into playable form.

CinematNIC Podcast

Press

Girlhood is the biggest winner at the box office this year • Business Insider • Kirsten Acuna20 Years of Mean Girls: A Lasting Pop Culture Phenomenon • Fizzy Mag • Ana Beatriz ReitzHow Apple’s New Discovery Station Could Help You Find Fresh Music • Lifewire • Sascha BrodskyNetflix And Disney Shouldn’t Take Subscribers For Granted, Like Old Cable • International Business Times • Panos MourdoukoutasDoes the ā€˜Bond Girl’ need a reboot? • The Daily Express (UK) • Portia JonesA deep-dive look into the Christmas classic ā€˜Baby, It’s Cold Outside’ • Fox News • Cortney MooreHow to Become an Actor in Texas • Backstage • Geri MilevaBreaking Into Showbiz for Your Second Act • Next Avenue (Twin Cities PBS) • Lin Grensing-Pophal

An Interview with Nicole Russin-McFarland (and Christopher Andrew Norris) • The Film ScorerHow Has the Unstopped Rise of Streaming Platforms Impacted Film? We Asked the Experts • Esquire UK • Tom WardLooking Through Wes Anderson’s Lens • News Nuggets on LinkedInMale allies in business: why women need them • The Telegraph • Helena PozniakMeghan Markle could command $5 million per Hollywood film if she returns to acting • The Mirror • Mollie QuirkHow Spotify Defines Music Genres • Kill the DJ • Clara AlexIs AI the future of classical music? • Polyphony Magazine • Melody ChanWhat’s behind the Gen Z television gap? • Canvas8TikTok is changing the film industry by putting the power back in the hands of fans • Why Now • Rachael DaviesAn Interview with Nicole Russin-McFarland, Score Composer of ā€œNigelā€ • (re)Search My Trash